"Love Life" (1966), Marijke Koger. Electric Banana p.91
In this piece, we can find unity everywhere. It is present in the repeated shapes, relative symmetry, and themes, the most obvious of the latter being a yin and yang balance. It is that balance (sun/moon, light/dark) that communicates harmony. Everything has an organic feel, and there are circles used throughout. Across the space, a deep purple hue connects everything together, as an outline and (occasionally) a fill color. Here, unity is not only a visual principle, but also a conceptual one.