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"Love Life" (1966), Marijke Koger. Electric Banana p.91 
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In this piece, we can find unity everywhere. It is present in the repeated shapes, relative symmetry, and themes, the most obvious of the latter being a yin and yang balance. It is that balance (sun/moon, light/dark) that communicates harmony. Everything has an organic feel, and there are circles used throughout. Across the space, a deep purple hue connects everything together, as an outline and (occasionally) a fill color. Here, unity is not only a visual principle, but also a conceptual one.  
 
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